The Sights and Sounds of Spring Carnival

Up on this hill I get a bird's eve view of everything just before things start to really kick off.

The sun beamed down on everyone's heads on that warm, almost summer-like April afternoon at the South Campus Field, where students, faculty, and kids alike witnessed the fun unfolded around them.

Some students enjoy shooting some hoops at the carnival.

Tables crowded the landscape, filled with people in costume or summer wear, giving out pamphlets or setting up some crazy exhibits. The hickory smoke of barbeque existed as the predominant scent in the air, no matter where you were, and the sounds that echoed throughout the field were an uplifting mix of kids squealing with delight, students engaged in friendly chatter, and rock music. Off in the distance, several large, colorful inflatable structures towered over everyone, with kids bouncing around in and out of them, seemingly brimming with joy. It was a semi-surreal, yet entirely fun scene to bear witness to.

It was also an optimistic signal that the long, busy school year will soon be at an end yet again, at least for students.

Pictured here is Zander Judge, a member of CAPA, holding a delicious pixie stick.

Spring Carnival, the annual event held by CAPA and Student Activities, is a day full of opportunity for everyone. For students passing by, it is an opportunity to blow off some steam before the really hard work sets in, a chance to distract oneself with games and prizes for a few hours. Every year, the carnival has a theme to it, usually focusing on something like pirates, vikings, mermaids or something else along those lines. This year's theme took its inspiration from the polytheistic society of ancient Greece.

...

For the many student clubs on campus, it is an opportunity to raise some more money, and more support.


Some student engineers goof of for a bit, along with a gorilla in a toga.

Melissa Dorval, a member of the WiseGuys club here at UMass Lowell, is among many other booth runners taking advantage of this year's them. Today, she is dressed as the Greek god of death Hades and offering free photo ops in front of a picture of Mount Olympus at the Wise Guys booth.

Here is Dorval, pictured here summoning the demons of Hades using the very might of the Gods. Or, you know, not.

"We are here today trying to get donations for the club and recruit people too," she said. "Any donations will fund the operations for the club, including our spring break trip to New Orleans next year."

This fairy-tale style castle is kind of an odd fit for a festival with an ancient Greece theme, but the kids bouncing around inside don't seem to mind.

Wise Guys has been heading to New Orleans for a couple of years now, helping the city clean up the damage and rebuild after the mess caused by Hurricane Katrina back in 2005. Dorval thinks the theme CAPA picked for this year is fun and easy, although the experience is a little humbling for her.

"Eh, it's alright," she said. "I'm in public wearing a bedsheet, but hey, you know, you gotta make the most of it."

...

John and Alex, in business with a balloon popping dart board booth set up for both the Biology Club and Unite for Sight, use the spirit of Spring Carnival to strut about their macho-ness. At their twin booths, they don the traditional armor of Greek spartan soldiers, or at least something closely resembling it made with stuff you could buy at the craft store.

"This is nothing but fun," said John. "You get to dress up like a spartan. There aren't many times of year where you get to do that."

John and Alex are pictured here, shields up and spears ready, prepared to defend their booth from the oncoming Persian army. Hail Leonidas!

The balloon popping fun, just like many of the other booths here, also had a good cause driving it. In this case, they stressed that you don't need to be an oracle to have excellent eyesight.

In this picture, it looks like a lucky young woman is about to win a prize.

"We're raising awareness about eye health," said Alex. "In addition to the balloon popping dart board, we're also offering free eye test screenings and a coin-catch game at the board across from it."

...

Betty, Kristen, and Kate (who didn't disclose thier last names) are not normally keen on wearing crowns. On this day, though, each one of them donned a crown of fake olive branches, possibly symbolizing the extensive knowledge they have of computer science.

Here are, in no particular order: Betty, Kristen and Kate at their Women in Computer Science table, complete with olive branch crowns of felt.

Their table contains an interesting and thought-provoking theme, helping to raise money and membership for the Women in Computer Science club.

"Our theme for this year's carnival is puzzles," said Betty. "A lot of the ancient Greeks knew a lot about math, and many Greek thinkers used their knowledge to make puzzles to help figure out things, so we decided to let the carnival-goers solve some puzzles in an attempt to win some small prizes."

The student engineers are also hoping to stimulate people's minds as well as provide quality entertainment. Their table, surprisingly, does not take advantage of the carnival's theme, but the activity they provide today makes up for that by being fascinating.

"What we have here is a wading pool of a substance called 'non-neutronian fluid,'" said Amy Musgrave, one of the Student Engineering Council members running the table. "What you have to do here is keep it from sticking to you, so you have to keep running in it, or keep it solid enough so that it doesn't. It is really sensitive to pressure."

This sandbox was right next to the E-Council's table, but wasn't getting nearly as much love as the "non-neutronian fluid" was.

The messy yet harmless substance seems to provide endless amusement for a group of students and some small children, as they take pleasure in stomping around in the stuff. Kevin Beauregard, another student engineer on the field helping out today, can vouch for how enjoyable something so simple can be.

"It's good that people are hearing about the club, but mostly, we're just doing this for fun," said Beauregard. "If no one were here right now, we'd probably be playing in the stuff ourselves."

...

Among the many booths are an inflatable wrecking ball tetherball station, a bouncy castle, and a rock climbing wall. This provides hours of fun not just for the students and faculty, but for the little children who are fortunate enough to have parents who know about the carnival.

A mother and her child out and about at the carnival stop to pose for a picture.

"We really like the tye-dying booth, and who ever was doing the free caricatures," said Britney Melanson, a student who was enjoying the event with some friends.

One of the more popular set-ups there was the Wrecking Ball Tetherball inflatable game, seen here being enjoyed by some more students.

The whole field was alive with the sound of rock music as well. CAPA uses the carnival every year as an opportunity to host the annual Battle of the Bands.

This year's contest had some added significance, however, as it was being simulcast live by the campus radio station WUML 91.5. Bands not only had the opportunity to win prize money but to have their voices heard. Among the entrants were the harmonic post rock band Life on Hold, the punk pop indie band Beneath the Sheets, and many others. Their sounds provided just the right mood for this carnival.

Here's a shot of Ali, the PSA Director, and intern Tyler manning the booth on the morning of the carnival.

In what is possibly one of the only low points of the carnival, the broadcast didn't quite go as smoothly at first as one would hope.

Will Carey, WUML.org's webmaster and the person running the booth at Spring Carnival, had mentioned that the vector used to transmit the signal from the mobile broadcasting unit on the field to the main station had taken a while to start up during the night before, when WUML had set up its tent and held their all night broadcast, the event that they hold every year before the actual carnival takes place. Since then, it had been reportedly cutting out every so often.

"The broadcast had its bumps, mainly technological glitches," said Carey, "but we seemed to have that worked out now." Here is some video of the concert that was broadcast:

Here's some footage of the competing bands, which includes the Advocates, Boston punk band the Burning Streets, and UML darlings Bearstronaut and Life on Hold. Beneath the Sheets, unfortunately the only band not in this video, ended up walking away with the prize money, with Life on Hold coming in 3rd and the Burning Streets finishing in second. This video is kind of long, so you might want ot get a sandwich or something while it loads.

This does nothing to dampen his spirits, or the spirits of anyone else at the booth. DJs and interns alike continued to monitor the unit as well as give out CDs and t-shirts. Many students interested in the radio's programming stopped by to say hi, and collect free stuff. Despite this year's technical errors, Carey says that WUML will continue to be a presence here every year.

"As long as CAPA keeps doing this not only will we be here," he said, "But we will be here the night before, too."

Fortunately for them, students will never stop coming out either.

The Wild Things trailer is amazing

"Didn't want to wake you...but I really want to show you something." Poster courtesy of Warner Bros.

After having been in development hell for many, many years, the trailer seems to have come out for the adaptation of Maurice Sendak's classic children's picture book, and it is amazing.

Click here to see it.

Despite the amazingness of the trailer, people seem to be approaching this film with cautious optimism. Aside from the difficulty of stretching out the picture book to a full 90 minutes or more, the film is making the studio nervous, causing them to interfere with it quite a bit. Luckily, that was all worked out, and the film seems to retain its original style. Director Spike Jonze had a really interesting conversation with Ain't It Cool's Moriarty about it a while ago:

Moriarty: It makes sense. Like I’ve seen how my kid reacts if you lose control of your anger. They’re little batteries, they soak it up and then it comes back out in the craziest of ways. You don’t know how and you don’t know when, but it’s not gonna be the same coming out as it was going in. You learn real quick to be careful about what you do and express in front of them, and how. That’s something that I don’t know if I’ve ever seen someone try to talk about in film. Like I think we try and make kids into saints in movies, and we kind of smooth off the rough edges, and it’s just so much more interesting to see a real kid, and to see how kids try and process the world.

Spike Jonze: And I think that’s what freaked the studio out about the movie too. It wasn’t a studio film for kids, or it wasn’t a traditional film about kids. We didn’t have like a Movie Kid in our movie, or a Movie Performance in a Movie Kid world. We had a real kid and a real world, and I think that’s sort of where our problem was. In the end they realized the movie is what it is, and there’s no real way to... it’s sort of like they were expecting a boy and I gave birth to a girl.

From what that says, this movie seems to take an unexpected approach to realism, in both its characters and a little bit in its story, which would probably worry those who want to market the movie to children. My guess is that the film will be aimed towards slightly older kids, rather than toddlers, although that may not entirely be a bad thing for ticket sales.

Karen O of the Yeah Yeah Yeahs is composing the score, and both James Gandolfini AND Catherine Keener are starring in it, so that makes me all the more excited. Like everyone else, though, I'm hoping and praying this doesn't turn out to be another Grinch.

"If you don't hurry up, the tigers will eat you."

Just thought I would take a minute to post a first look at some footage from Disney/Pixar's upcoming film, Up!, courtesy of YouTube.

Ed Asner as Carl Fredericksen (the old guy) and Jordan Nagai as Russell (the boy scout) are seen here, braving the South American jungle in their most recent adventure.

I can't be the only one out there who thinks Asner is absolutely perfect for the role of the old man. Although, maybe that's just my memories of him on Freakazoid! as Sgt. Mike Cosgrove speaking (Now that I think about it, his role in this film seems so reminiscient of that role). Still, the animation in this clip looks cool and fluid, and the story for this movie sounds endearing and promising. Both of those aspects are things I've come to expect from Pixar, and judging from what I've seen so far this film doesn't look like it will disappoint.

Up! hits theaters May 29th. For more info about Up!, head to Disney/Pixar's official website here.

Yes, I Swear This Is Real (Wait a minute, apparently not)

UPDATE 4/10: OK, apparently the movie is fake. The trailer is the only real part of this movie. Nevermind, nothing to see here, move along.

This movie I'm about to show you may seem like a stupid idea. When I read how Devin Faraci of CHUD.com reports it, though, I can't understand why somebody didn't think of this sooner:

The idea of Willy Wonka as a horror villain isn't that far-fetched; the boatride in the Gene Wilder's Willy Wonka & The Chocolate Factory was a psychedelic nightmare. And in all versions Willy Wonka wantonly wastes kids. But now Human Giant director Eric Appel has put a completely horrific spin on the story with Gobstopper, starring Christopher Lloyd as a Saw version of Wonka.

The trailer (courtesy of Funny or Die [Warning: Not Safe For Work]) just makes the whole thing look even more ridiculous. It obviously wants to be a "so bad it's good" cult classic, but it looks like it's trying WAY too hard.

Also, of all the things I pictured Christopher Lloyd doing in his post-Back to the Future days, playing an evil Willy Wonka that sics rabid little people on extraordinarily dumb teenagers wasn't even on the list, let alone at the bottom of it.

Considering that they made a horror movie where the tooth fairy was the killer monster a few years back, I wonder if this is the start of some gag-inducing trend.

I Watched The Watchmen

"...For the times, they are a-changing...(picture courtesy of Warner Bros.)"

“Superhero” is usually number one on any kid’s list of desired professions. Everyone had a vision of what powers and abilities they would have liked to have, and how they would save everyone. I bet if this movie was around back then, and our parents let us watch it, we would have probably had second thoughts.

Thanks to director Zack Snyder and screenwriters David Hayter and Alex Tse, I’m not so sure being a superhero is such an ideal dream anymore.

Based on the graphic novel written by Alan Moore and drawn by Dave Gibbons, Watchmen is not only visually impressive, but its story and plot are profound in ways that most superhero movies are not.

The story starts in New York City in the 1980s, existing in an alternate timeline. Nixon is President for Life, and Vietnam was a complete success. Superheroes, specifically a group of crime fighters known as the Minutemen (and later, the Watchmen), exist in this universe, and they have helped along these outcomes through their actions.

It is not all sunshine and daisies, though, as the US is now on the brink of nuclear war with the Soviet Union, thanks to our interruption of the Soviet invasion of Afghanistan.

This is Rorschach's signature calling card, as seen in the movie (skip to 1:40).

As a result of this situation, ex-superheroes Dan Drieberg (Patrick Wilson), Laurie Jupiter (Malin Akerman), Dr. Manhattan (Billy Crudup), and businessman Adrian Veidt (Matthew Goode) are hard at work helping the government come up with a solution.

What is intriguing about these characters is the way that their lives as superheroes spill over into their personal lives as well, amplifying quirks in their mental behavior. Rorschach (Jackie Earle Haley) is brutal in the way he pursues criminals, and even a bit fascist, and in a way it drives him insane.

Dan and Laurie feel somewhat impotent without their superhero personalities, Nite Owl II and Silk Spectre. Dr. Manhattan has lived outside our world for so long, that he has completely lost touch with his humanity. The way the actors work with these character motivations are a strong point.

I think the only weak performance was Akerman’s, and that could probably be attributed to her not being given as much plot to work with as the other characters. Haley’s performance as Rorschach was perfect, albeit corny at times, and Crudup played Manhattan with the required amount of stoicness for the role.

Here's a quote from Rorschach himself: "None of you understand. I'm not locked up in here with you. You're locked up in here with me."

Cinematography was another strong point for this movie. Some scenes were even taken out of the graphic novel directly, although the way it is done in this movie is not as ridiculous as the way it was done in films like 300. It helps that the novel was presented like a storyboard in the way the panels were arranged, so this must have made things easier for Snyder.

The violence and sexual content felt quite over the top at some scenes. While it is understood that Watchmen is considered to be more adult-oriented than most comic book stories, it can make some parts hard to take seriously. The sex scene between Dan and Laurie in the Owlship immediately comes to mind, as do many of the brutal fight scenes with Rorschach.

There were times when using such well-known selections worked, and times when it did not. The use of Bob Dylan’s “The Times They Are A-Changing” in the opening montage, which shows us the backstory of the superhero team, how it developed into the Watchmen, and what the heroes went through during the early-to-mid 20th century, was perfect. The use of “Hallelujah” during the Dan/Laurie sex scene, on the other hand, was really weird, and not as funny as it was trying to be. A lot of the music selections followed this pattern, and to be honest I would have liked it better if they had picked stuff that was not so obviously cliché nowadays.

One more quote, only this time from Dr. Manhattan: "A live body and a dead body contain the same number of particles. Structurally, there's no discernible difference. Life and death are unquantifiable abstracts. Why should I be concerned?"

For fans of the graphic novel, Zach Snyder’s Watchmen will be distracting, as there are many sequences to point out where they got it right and where they didn’t. Those who are not immediately familiar with the graphic novel, though, will be able to jump right in to the experience of watching this movie with no trouble at all.

Finally, for your entertainment, here is an entry out of Rorschach's journal, courtesy of me, and Alan Moore's worst nightmare, courtesy of Newgrounds.

Picture captions for the mini photo essay within the review provided by the Watchmen Wikiquote.

"It's like they're flying right towards me!"

Looks like Pixar's Up! won't be the only opportunity to wear those super cool RealD 3D glasses once again.

There's been a lot of speculation floating around the blogosphere that the remake of Alfred Hitchcock's classic horror film The Birds might be shot in 3D. All the eye-popping buzz is stemming from an interview that B-movie star Brenna Lee Roth did for MarketSaw 3D recently, where she mentions that and some other news about the cast:

MarketSaw: Back to your career: Personally, I think these two movies are perfect
vehicles for you. Where do you see your roles evolving from here?

BLR: I am in talks with the producer of THE BIRDS (remake) and I talked
to the producer about shooting it in 3D, but I don't really know any more about
it. I like taking roles and working with directors that challenge me. I want to
play roles where girls are powerful, and really stand out.

MarketSaw: THE BIRDS! - I am very interested in the remake! It is rumored that George Clooney and Naomi Watts are attached as well - is that true? Which producer are you dealing with, Michael Bay, Peter Guber, Andrew Form, Bradley Fuller or Cathy Shulman?

BLR: Bay and Fuller. Wow you are smart! I think Clooney and Watts are in it. Should be fun, I hear from the producers that Clooney is a prankster, and well... so am I, so it could be fun.

Hey, this is pretty good, but it's missing something. How about seagulls pecking at your face in 3D?

Seriously though, I'm actually hoping the producer follows through with Roth's request. I know it can be argued with some movies that 3D is just a cheap gimmick (especially in the case of movies like Journey to the Center of the Earth), but it actually seems that this film would benefit from its use. Horror movies are definitely a good genre to use 3D with, and if used effectively this could make the remake slightly more memorable than most remakes.

On one last note, jeez, George Clooney. That guy is becoming the next Samuel L. Jackson. Seriously, he's starring in everything.

Well this is...interesting...

The phrase "loose adaptation" is about to be pretty much defined with this upcoming project, coming out of Elton John's Rocket Pictures movie studio.

This news item is actually kind of old by now, but I just discovered it a while ago and it's certainly strange enough to earn it a pass. It comes off the pages of Variety, reported by Michael Fleming:

Elton John's Rocket Pictures hopes to make the first Jane Austen adaptation to
which men will drag their girlfriends.
Will Clark is set to direct "Pride
and Predator," which veers from the traditional period costume drama when an
alien crash lands and begins to butcher the mannered protags, who suddenly have
more than marriage and inheritance to worry about.
Shooting will begin in
London later this year. John exec produces, and his Rocket partners Steve
Hamilton Shaw and David Furnish are producing.
Clark, who directed
award-winning short "The Amazing Trousers," wrote the script with Andrew Kemble
and John Pape.
"It felt like a fresh and funny way to blow apart the
done-to-death Jane Austen genre by literally dropping this alien into the middle
of a costume drama, where he stalks and slashes to horrific effect," Furnish
said.
John will supervise the music, as he does in each Rocket-produced
film.
The company is in production on the CG-animated "Gnomeo and Juliet"
for Miramax/Disney; James McAvoy and Emily Blunt voice the title characters.
Rocket is also behind the Sundance series "Spectacle: Elvis Costello With
..."

I had no idea that Elton John even had his own movie studio before this. I've always suspected, though, that the man might be slightly insane.

This reminds me of a friend of mine from high school. He was really good with Photoshop, and one time he made a movie poster for a movie called "Plagal Cadence." It featured classical composers like Beethoven and Johann Sebastian Bach pointing tommy guns at each other amidst a dark scenery of exploding sheet music. I think that's a solid assumption of what watching this film will feel like. It'll probably be Van Helsing-esque, from the sound of it.

Also, somebody really ought to let Hollywood know that people are sick of seeing remakes of Pride and Prejudice over and over again. Jane Austen wrote other books too, you know.