Saturday, September 19, 2009
"DYNOMITE! DYNOMITE!"
"I will stop anybody who sells drugs to the community."
"But Black Dynamite, I sell drugs to the community!"
I know, the whole parody of 1970s blaxploitation movies has been done many times before, but that trailer definitely sells it well enough.
Aside from that, there's a bunch of buzz-worthy stuff out there that I've seen recently, and I'll be talking about it soon once I have some time to breathe.
Wednesday, September 2, 2009
Some Interesting Developments
First thing's first, remember when I was talking about Christopher Nolan's new project Inception?
I had heard that he put it on hold to work on the next Batman movie, but it turns out he was able to finish shooting after all because now we have a teaser! Courtesy of the WB (Sorry guys, I seem to be having a problem embedding Youtube vids right now, so just click here if you want to watch it).
I won't say that this teaser says much more about the movie than we already knew, but I will say that it is incredibly visually impressive. I was hoping for more details to be revealed at Comic Con, but hopefully we'll get some more information on the movie soon.
Also, Scott Pilgrim Vs. The World has just wrapped up principal photography!


At this point it's time for the film to go into editing. Wright's photos and video blogs were definitely a lot of fun to follow, and I can't wait to see a teaser or something pop up soon. Click on either Michael, Mary or Ellen up there to see more photos.Before I go again, allow me to get in a few words about the big Disney/Marvel deal that went down a couple days ago.
Like everyone else has said, I really don't think this will impact any of Marvel's pre-existing comics, movies, or IPs. Judging from everything that's been said, Disney seems pretty cool about honoring all of Marvel's previous contractual obligations, so stuff like Iron Man 2 and the Avengers movie ought to come out just fine. Everyone who is worried about this needs to remember one thing: Disney isn't so much interested in the comics and movies as it is the extremely huge licensing potential. I think some really awesome stuff, in terms of animation and merchandise, could come out of this deal, but I guess only time will tell.
Monday, July 27, 2009
"He's my new daaaad"
Things have been rather slow on this blog the last couple of months, and I apologize for that. Between the job search and all the other crap going on this summer, updates have been rather scarce. It doesn't help that 500 Days Of Summer and The Hurt Locker got limited releases either.
Not to worry, though. I have a couple of ideas on how to keep weekly content up on this blog, and I think advertising it a little more and getting a bigger audience would give me some more incentive to update. If only I could find some free time...
But anyway, enough about me. Today I wanna talk about Star Wars, or more specifically Episode I, The Phantom Menace, which I just learned turned ten years old a little while ago. Why do I even want to discuss this movie? Well, Claudine Zap of Yahoo's Buzz Log had a little video interview with Jake Lloyd, who played Anakin Skywalker as a little kid, just last week as some kind of retrospective. You can read about it and see the video here.
I find it funny how Zap mentions that people blame Lloyd for ruining Star Wars. It's probably been a good seven years since I've seen The Phantom Menace from start to finish, but when I think back to it, I can think of a number of things that were ten times worse than Anakin as a little kid.
The stupid aliens (especially mildly racist Jar Jar and Watto) stick out in my mind, as well as Natalie Portman acting horribly not just in this film but in all three prequels, and let's not forget George Lucas' extreme disdain for plot, continutiy, dignity, character development, or scenes that do not involve shitty wacky aliens partaking in cah-raaaazy antics and throwing up CGI bullshit all over the goddamn place.
Also, "Can I be a Jedi, mom? Yippee!!" might be an annoying line, especially with how it was delivered in the movie, but "He's holding me baaaack!" is even more brain-melting, and was delivered by, in my opinion, an even worse actor. If you ask me, Anakin was way more creepy and nauseating when he grew up.
Well, I'm done nerd-raging for now. Hopefully I can have some kind of review or something up next time, but for now, here's a pretty impressive tv spot for District 9, courtesy of Film School Rejects, to keep everyone occupied.
Oh, and one last thing. I don't give a shit what anyone says, the podracing was badass.
Thursday, July 9, 2009
God Damn It Michael Bay, Part Two
It’s interesting that you want to focus on acting. Megan Fox, one of the leads in “Transformers” has criticized your films for being special-effects-driven and not offering so many acting opportunities. Do you agree?
Well, that’s Megan Fox for you. She says some very ridiculous things because she’s 23 years old and she still has a lot of growing to do. You roll your eyes when you see statements like that and think, “Okay Megan, you can do whatever you want. I got it.” But I 100% disagree with her. Nick Cage wasn’t a big actor when I cast him, nor was Ben Affleck before I put him in Armageddon. Shia LaBeouf wasn’t a big movie star before he did Transformers—and then he exploded. Not to mention Will Smith and Martin Lawrence, from Bad Boys. Nobody in the world knew about Megan Fox until I found her and put her in Transformers. I like to think that I’ve had some luck in building actors’ careers with my films.
Jesus, could this guy come off as any more arrogant with this statement? Fox isn't exactly being civil here either, but Bay is honestly trying to tell me that he made Ben Affleck, Nicholas Cage, Will Smith AND Martin Lawrence in to huge megastars? It's been pointed out before, but previous evidence would definitely suggest otherwise for all three of them, especially for Ben Affleck (I think Bay owes Kevin Smith an apology at this point). As for Nicholas Cage, I don't think Bay directed Face/Off, and I think Will Smith owes more to NBC and DJ Jazzy Jeff for helping with his career than he does Michael Bay. The second Bad Boys film wasn't exactly cinematic ambrosia or anything.
Also, boy do I feel sorry for Megan Fox right now. We've got Michael Bay forcing her to wash his car to audition for the first Transformers movie (well, according to British critic John Solomons anyway), then he goes and calls her immature for stating the facts. On top of that, I've seen a lot of reviews for Transformers 2 lately, and they hardly have anything good to say about her that doesn't concern her body. Shia the Beef doesn't even want to play Wii with her. She has got to be feeling pretty frustrated right now. Here's hoping she's getting a better chance to prove herself, and a little more respect working with Jimmy Hayward, Josh Brolin and John Malkovich over these next few months.
I know this seems petty, but I'm almost thinking about avoiding Transformers 2 even when it comes out on Blu-Ray, just out of fucking principle.
Anyway, I leave you guys with some hilarious Transformers 2 reviews, one from Charlie Jane Anders of io9.com, another from Rob of Topless Robot, and one last one from the ever-so-snarky Roger Ebert straight from his own blog at the Chicago Sun-Times.
Monday, June 22, 2009
Zombieland!
The tone of at least the trailer (I could see the narration carrying over to
the film) strikes me as something like Shaun of the Dead crossed with The Hitchhiker's Guide to the Galaxy, and I for one don't think that
intersection's a bad place to be.
*Sigh* God damn it, Michael Bay.
Having very limited funds and almost no interest in Transformers in general, I'm very much on the fence about seeing this movie. The kind of stuff I've been hearing about it, though, has not been too promising so far.
What's especially off-putting about this sequel to the 2007 blockbuster special effects rodeo is the fact that, according to Devin Faraci of CHUD.com, Orci, Kurtzman and Bay seem to be taking lessons from the Jerry Bruckheimer School of Racial Sensitivity when creating new robots for the film. Needless to say, Faraci wasn't pleased with what he saw:
These new robots, who begin the film conjoined as a shitty old ice cream truck
but who soon get upgraded into Chevy concept cars, seem to be the most extreme
racial caricatures seen in a movie in decades. The Twins have a simian
appearance, with wide faces and huge ears. One of them (full disclosure: I am
not sure which is which, namewise. This isn't a problem limited to just these
robots in Transformers 2 as I couldn't tell most robots apart, except for Optimus Prime and Bumblebee) has a gold bucktooth. They have a
'playful' back and forth relationship, which includes them talking in some sort
of modern day rap-age jive, calling each other 'bitch-ass' or 'punk,' talking
with an exaggerated, crunked-up 'street' accent. They appear to be stoned all
the time. And they can't read; when asked to translate some ancient Cybertronian
language they sheepishly admit they 'don't do much readin'.' To be fair, only
Prime can read this language, but even the completely idiotic mini-bot (and
Italian stereotype) Wheelie can at least recognize what the writing is. The
Twins are completely illiterate, it seems. I was actually surprised that the
film didn't find a way to make them wear a Transformers version of baggy pants.

Gold teeth, wide eyes and big lips. Christ. I can practically smell the outrage bubbling up. Courtesy of Paramount Pictures and CHUD.com.
These two floating autobots, pictured above, are the alleged racist caricatures in question.
I suppose it's not really noticeable when they're on screen and in motion, but when you look at these two images for a while it becomes apparent that certain features are exaggerated in a certain way. That being said, I have doubts that Bay was legitimately thinking in stereotypes when he created them. Bay has made some bad movies, but that doesn't make him a bad person. Seeing him try to cover his ass by pinning it on the voice actors doing the characters, however, is a little unnerving:
Bay was eager to give all the credit for the Twins to Tom Kenny, the (white)
voice actor. 'When you work with voice actors, especially with the twins, they
did a lot of improv for their parts. We liked their improv and, from there, we
would animate to their stuff. When you're doing character animation and you're
building the character, it's not like an actor where you shoot the scene and
you've got it and you move on. With animation, you get the dialogue and then
some animation and then a bit more of the dialogue and you keep going back and
forth and it just builds until you have the shot you want.'
(For the
record, Bay mentions a second voice actor while IMDB lists Kenny as the voice of
both bots)
Later in the article, Bay mentions something about how he created the robots as a way to market the movie better to teenagers and college students. Faraci believes him, and I'm inclined to agree, but since this is the year 2009 and not 1964, I can't imagine why Bay would think this is a good idea. I'm aware that a lot of the humor in this and Bay's other works (especially The Island and Bad Boys II) caters to the lowest common denominator in a ham-fisted attempt to make as much money at release as possible, but I'd never thought he would go this far, even unknowingly.
What's even more worrisome about this, aside from the potential race-related backlash, is the fact that these characters seem very one-dimensional on the surface. When a story is poorly written or doesn't contain a whole lot of character development, a lot of minor or even secondary characters tend to be personified by either archetypes or stereotypes. If this is an indicator of the kind of stuff they are introducing in this new film to the Transformers franchise, that could be troublesome. I guess I shouldn't expect a whole lot of character development from a movie based around an 80s cartoon that was designed to sell toys, but still, it's pretty bad.
One thing Faraci may be overreacting about a little, though, is the "Italian stereotype" take that Kurtzman and Bay took with Wheeler. Here's a clip of what to expect, from Hollywood.com, Paramount Pictures, and Youtube:
Saturday, June 20, 2009
In this post, Up makes everyone cry again
Colby Curtin, a
10-year-old with a rare form of cancer, was staying alive for one thing – a
movie.
From the minute Colby saw the previews to the Disney-Pixar
movie Up, she was desperate to see it. Colby had been diagnosed with
vascular cancer about three years ago, said her mother, Lisa Curtin, and at the
beginning of this month it became apparent that she would die soon and was too
ill to be moved to a theater to see the film.
After a family friend made frantic calls to Pixar to help grant Colby
her dying wish, Pixar came to the rescue.The company flew an employee with a DVD
of Up, which is only in theaters, to the Curtins’ Huntington Beach home on June
10 for a private viewing of the movie.
They didn't even go through Make A Wish or anything like that. They just went ahead, and sent a Pixar employee over there with the movie, for her to watch.
It's just absolutely touching to know that the guys at Pixar are not only good filmmakers, but good people as well. Still though, that poor little girl.
Take care of yourselves.